Trip to Cambodia - ACODO

I was super disappointed that Wendy and I couldn’t get the tuk-tuk drivers in Phenom Penh to understand where the supposedly famous Cambodian Dance Academy was, despite our use of a map and help from the hotel staff--I thought I was going to miss out on traditional Khmer dance. Luckily, we found Assisting Cambodian Orphans and Disabled Orphans (ACODO) in Siem Reap, and an evening trip to watch traditional dance turned into a moving experience that touched both Wendy and me.

ACODO is an incredible, though small due to lack of funding, orphanage in Siem Reap. The children range in age, from 3-21 years—typically the orphans leave the orphanage at 18, but the 21 year old currently residing there is a burn victim who started working at the orphanage because his chances of getting a job outside of it are lower than most and he does really love the other children. All school-aged children attend state school, and receive English classes at the orphanage from volunteers (I tried to see if I could help out for a day, but there was a miscommunication and I didn't get the opportunity to put my current profession to use for this worthy organization). In addition to the standard education and English classes, the children learn traditional Khmer dance, opera and how to play an instrument. The children are amazing -- very professional in demeanor and execution of the dances and songs. Even though Wendy and I were the only people who came out to watch them that night, they performed for us as if there were an audience of a thousand.

In between acts of the traditional ballet repertoire the director of the ACODO played a video demonstrating the needs of the orphanage--food, hygiene items, volunteers, and money--and their plans for expanding their grounds. ACODO is planning on adding a library with computer lab, and they are saving for land to start a farm so they can supply their own food and use the money they were spending on food to supply more opportunities for more children. The love in the eyes of the director was as apparent as the joy on the faces of the children.

After the performance, Wendy and I stayed to play with the children and talk with the director about coming back to volunteer later on. Wendy, ever the percussionist, whipped out her wooden spoons and taught the children how to play them. This very special organization deserves support and the bonus of being able to watch traditional Khmer dances performed by unbelievably talented children and teens should drive more tourists to ACODO—it’s far better than the overpriced dinner theater style shows that don’t give any money to worthy causes.